Christof Ellinghaus is a prominent figure in the independent music scene. He is best known as the founder and CEO of City Slang, a Berlin-based record label established in 1990. Born in Beverungen, Germany, Ellinghaus began his career in music as a writer for the fanzine The Glitterhouse, which later evolved into a record label. His early involvement in the industry included booking and managing tours for American indie bands across Europe, such as Nirvana, Mudhoney, and The Flaming Lips.
The inception of City Slang was catalysed by Ellinghaus’s collaboration with The Flaming Lips, who sought assistance in distributing their album “In A Priest Driven Ambulance” in Europe. Recognising a gap in the European market for American alternative music, Ellinghaus founded City Slang, initially as a sublabel of German indie “Vielklang”, before making it independent in 1992. The label quickly became a hub for influential indie artists, releasing works by Yo La Tengo, Hole, Sebadoh, and Tortoise, among others.
Under Ellinghaus’s leadership, City Slang expanded its reach, establishing offices in Paris, London, and New York, and diversifying its roster to include various genres and international artists. Notable contemporary acts associated with the label include Caribou, José González, Noga Erez, and Roosevelt, as well as its latest generation of young upstarts such as Los Bitchos, King Hannah, Sprints and Lambrini Girls. Ellinghaus is known for his artist-centric approach, emphasising creative freedom and integrity over commercial success. He has described his role as operating at the intersection of commerce and art, striving to generate sufficient revenue to sustain both the artists and the label without compromising artistic vision.
Beyond his work with City Slang, Ellinghaus has contributed to the broader music industry through involvement with organisations like the Independent Music Companies Association (IMPALA), advocating for the interests of independent labels across Europe.
Ellinghaus’s enduring influence and commitment to independent music have solidified his reputation as a key architect of Europe’s indie music landscape.
